The game of recording is to isolate each instrument per track. This way the engineer has control over the sound of each instrument. I can record up to 128 tracks, but I haven't ever used more than 64.

Recording Drums

On average I use 15 mics on the drums. For example, tracks one and two will be the kick drum, the next three snare drum, then toms, maybe some dynamic mics on the cymbals, and then overheads/room mics. The high hat comes through on the overheads and room mics, so I don't mic it. Once the drummer is set up, I'll plug in the bass, guitar or anything else (click track, etc.) directly into the headphones so the drummer can follow the song. Everything else will be recorded after the drums are finished.

Replacing and breaking in your drum heads is a must. Once finished, tune up your drums.

I do "punch in's" on everything but drums. It is important to listen carefully to your drum mix right after recording.

I encourage drummers to play to a click track from the headphones. I am not saying that all drums need to be played to a click. Some songs are not meant to be played this way. However, it will help the drummer stay on perfect time.

Recording Electric/Bass Guitar

Got a nice buzz coming through your guitar amp? I can cut out a bit of buzz for the recording, but as I said earlier, please bring good sounding gear. If there is any buzz, then it's going to be on the recording. Tip: check and see if your cables are burned up. Replacing them can sometimes fix this problem.

I'll use up to 3 mics max, and sometimes go directly into the board. The more mics you have, the more phase issues there are going to be.

Pedals can be a little tricky. Make sure that the volume levels for each pedal are where you want them. I highly recommend recording each different sounding pedal on its own track.

Oh yeah, and make sure that you don't turn your guitar up louder than the headphone mix. I know you think that playing louder gives better sound quality, but the microphone one inch away from the speaker will hold up pretty well at a lower volume.

Keyboards

Run them straight through the board. I'll mic a speaker if you bring it.

Drum Machines

I can sync up any drum machine in ProTools to a grid. This way you can chop up and mix loops with ease.

Vocals

I record vocals last. I have a Shure SM57, a few Rode mics, and a Neumann U87. The U87 gets the best quality, but go with the 57 if you're looking for something more hardcore. I can also do various distortions, reverbs, and other stuff to tickle your fancy.

The Studio

 Mixing Console

Tascam DM-24: 16 track I/O.  Built-in effects processors with reverb, spatial effects and mic/speaker modeling effects by TC Works(tm), Antares(tm) and TASCAM.

 DAW

Digidesign Pro Tools HD2: 128 Tracks. Beat Detective. Antares AutoTune 4.

 Computers

Apple Power G5 Dual 2.0 GHz. 2 gigabytes of RAM. 140 gigabytes hard disk space. DVD-R/CD-R.

 Monitors

Mackie HR824.

 Bass Guitar

Rickenbacker Bass 4003

 Microphones

AKG D-112 (2)
Neumann u87
Shure SM57 (2)
Shure SM58 (3)
Rode NT1
Rode NTK
Rode NT5 (2)
Sennheiser e604 (3)
Sennheiser e835 S
Groove Tubes GT66

copyright © 2005 frank stuart browne